dinner is ready!
For the exhibition project NORDWAND four master students of the College of Fine Arts (Academy of Fine Arts) in Dresden are responsible: Stefanie Meier (born 1982 in Chemnitz)
Thomas Prochnow (born 1978 in Gera), Felix Snow White (born 1984 in Leipzig) and Denise Winter (born 1983 in Berlin). The engine - Project Centre for Contemporary Art acted for the artists of 6 to 15 September 2010 as a studio, office, kitchen, bedroom. In exchange continual training
with each other, developed They each brought a work or an existing design the presentation. The stated goal of NORDWAND is possible interdependence and track parallels the individual works and to make visible in the exhibition design. NORDWAND is therefore primarily a project with an open end, a conceptual idea, which ties in with the already proven as a student in the studio situation Brühl, but goes a step further. NORTH WALL is the artistic work holiday.
A free interpretation of the Artist in Residence-thoughts. With all its advantages, but also limitations. The exchange is intense and direct engagement with the artist's Not working as usual in fact, limited to the location of the studio. Morning and evening, the first and last view of the artist is in the exhibition space, your own work is perceived in the context of other works - new references are opening up, not the dialogue comes to a halt. But no matter how beneficial the continuing presence is also the place chosen for the period of nine days can be a " non-place" is. The engine hall as " closed society " does not work and should not be implemented as such by concept
when the " protected area " for the four artists currently in his physical limitations can be experienced and the time spent on-site time by completing material errands, etc. one of " external constraints " caused disruption erführt.
NORDWAND is particular challenge to the original idea. The process-based implementation and contestation at the level of the artists and on the factory floor itself is the final exhibit, that is, the exhibition design to equate.
The blog to NORDWAND supported the project and proves to be just in its non-documentary quality as an appropriate medium to bring their own as a reflex action and collective artistic anecdotal and fragmentary to the point of
. The work of Stefanie Meier, Thomas Prochnow, Felix Snow White and Denise Winter NORDWAND now give an outer frame when the careful exhibition concept allows works interdependencies inherent referentiality. At the same time solve the works but, from a predetermined start development context.
At the reception of the installations is shown that the challenge of the north face of all the artists in a very independent way interpreted and implemented
was. And herein lies the strength of conceptually part of the project, which in the First version here is in the Dresden Motorenhalle experiment more than that had been set to a collective result.
The decentralization of the individual works in the exhibition space, which in turn is the starting point for the development and management of the respective work reflects the concept of north wall and the connecting artistic approach of Meier, Prochnow, Snow White and Winter resist the most.
Gwen Kremer
merely pass on that nobody sees.
0 comments:
Post a Comment